Indonesian horror movies 2014 movie#

As for Susan, she eases her pain and insecurities by cutting people down a couple notches. If Cristina can briefly entertain her partner - a successful writer - then thatвЂ™s a minor win. Both women wander somewhat aimlessly and seemingly find emotional comfort by manipulating the behavior of men. Within 15 minutes, Maza establishes the surface-level personas of both women: Cristina clings to her pretentious ex, RubГ©n (NГ©stor Cantillana) Susana hurls nasty insults at a man named Marcelo (Bernardo Quesney). This Is Cristina begins with the title character (Mariana DerderiГЎn) reflecting about the past with her best friend, Susana (Paloma Salas). Written and directed by Gonzalo Maza, and also produced by Salma Hayek, This Is CristinaВ functions as a provocative character study about a woman under the influence of miserable people.

Cristina navigates her community with a blank stare she hopes to make her drawings вЂњspeakвЂќ but doesnвЂ™t trust her creative voice. Resign yourself to the lifelong sadness that comes from never Вbeing satisfied.вЂќ The titular protagonist - a thirty-something artist recovering from a failed marriage - doesnвЂ™t speak incessantly about her work to fill an inner void, nor does she reject toxic men who wax about poetic about their creative process. вЂњThe Queen of Black MagicвЂќ herself isnвЂ™t a letdown, but how sheвЂ™s dealt with is.Promoted as a вЂњChilean Frances Ha,вЂќ This Is Cristina thematically aligns more with Zadie SmithвЂ™s 10th Rule of Writing: вЂњTell the truth through whichever veil comes to hand - but tell it. The few chills hand one or two almost jaw-dropping moments of gore delivered in the most predictable ways donвЂ™t quite get the job done here.

Indonesian horror movies 2014 movie#

But anybody can tell when a horror movie works. IвЂ™m the first to admit this isnвЂ™t my favorite genre. I liked a couple of effects - that bugs-crawling-all-over-people and into somebodyвЂ™s mouth is good, and thereвЂ™s a demon-throws-her-across-the-room stunt thatвЂ™s as impressive as any IвЂ™ve ever seen.Д«ut Joko AnwarвЂ™s script leaves a bit to be desired - twists that seem trite, counter-twists that are even worse, over-explaining things to the point where the forward motion is lost.ДЄnd the near-pointless epilogue had me shaking my head. One is moved to attempt self-surgery with a kitchen knife.

The cast is required to mime that вЂњdemon has me but I WONвЂ™T point the gun at that childвЂќ self-struggle shtick. the bugs overwhelm this guest, instill the need to harm oneself to another, and so on. And with assorted employees, guests and family members always finding an excuse to separate - See? ItвЂ™s not just ditzy Americans in вЂњdead teenagers moviesвЂќ who do that. Pretty soon everybody else does, and some even know whatвЂ™s become of that busload of children.ДЄ вЂњdemon,вЂќ vengeful ghost or something is out for revenge. And the viewer knows that wasnвЂ™t a вЂњdeerвЂќ Haniq hit on the way there on their long drive through the country. HanifвЂ™s little boy ( Muzakki Ramdhan) hears why one room has remained empty forever, and wants to hear all about the former employee who вЂњpracticed black magicвЂќ and had to be removed.Д«ut those who used to live there know thereвЂ™s more to the story. The place is empty because all the orphans went on a bus field trip and are due back. TheyвЂ™re here to greet the three guys, their wives and HanifвЂ™s three kids.

Two disfigured orphans who never left ( Ade Firman Hakim, Sheila Dara Aisha) married and now run the place. Unru) is confined to his bed, facing his final hours. Those three вЂњalumniвЂќ - Hanif ( Ario Bayu), Anton ( Tanta Ginting) and Jefri ( Miller Khan) seem enthusiastic about being there, even if the old man who ran it ( Yayu A.W. Scores of films have been built on those вЂњGhost StoryвЂќ bones. ItвЂ™s the story of an orphanage haunted by the horrors of its past, terrors visited on those who left there when three of them return, with their families, for a little reunion celebrating the dying old man who has long owned and run the place. ThereвЂ™s a healthy dose of вЂњnothing new to see hereвЂќ to the plot of Kimo StamboelвЂ™s вЂњ The Queen of Black Magic.вЂќ Story beats and key components of the tale are familiar from many a film thatвЂ™s preceded it.Д«ut the simple, chilling effects - think вЂњWhen Millipedes Attack!вЂќ - and not-quite-over-the-top gore set вЂњQueenвЂќ apart and deliver a memorably gruesome moment or two. The film doesnвЂ™t have to be the most original to leave a lasting impression, and the limited sample of bloody Indonesian exports IвЂ™ve watched have fit both descriptions. вЂњThe Third Eye (Matin)вЂќ is another iHorror feature that sticks in the mind. The first hint I had of IndonesiaвЂ™s thriving horror scene was the best segment of one of those horror anthologies that have been turning up in recent years.